Repairing Your Own Clocks
By Mervyn Passmore

© Copyright
Mervyn Passmore 2005

M&P Home


Copyright notice
Contents
    Introduction
    Which clock to begin on?
    Hand Removal
        Pin and Collet
        Hand nut
        Friction fitting
    Removing the dial
    Letting down mainsprings
    To strip or not to strip?
        Cleaning without stripping down
    Stripping down the movement
    Repairs
        Pivots
        Bushing:
            Choosing cutting broaches
        Re-facing the pallets
        Checking the crutch and yoke
        The Platform Escapement
            Ordering a replacement platform
            Fitting a new platform
        Broken and Missing Pieces
            Broken teeth
            Suspensions.
            Clock chain
            Clock glass
            Mainsprings
            Pendulums
            Gong rods
            Winding keys
    Cleaning the dismantled movement
        Pegging out
        Using an ultrasonic tank
    Lacquering
    Re-assembly
    Lubrication
    Re-assembling and Setting up
    Setting up
        Siting
        Regulation
    Tips, Hints & Helps
        Bluing
        Silver soldering
        Soft soldering
        Dial Silvering
        Splicing 30 hour rope
        Black Marble or slate cases
    Tables
        Broach table
        Train count table

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Gong rods

Getting the right sound from a clock requires a combination of engineering skill and musical knowledge. If you have a gong rod that sounds flat, or is even missing altogether, you will need to calcualte the note it should make when struck.

Material dealers sell complete tuned sets of rods for Westminster chime clocks, and this is often the simplest answer for the amateur. If the cast base is missing, then these are available with tuned rods already fitted.

There is no standard location or sequence for the rods, so you may need to re-arrange them in the block. Blocks need to be clamped or screwed very securel to the case to get a good sound. 

The Westminster chime uses four notes, and although they can be found with five or even eight rods, this is simply to make the same tune sound better. The four play the tune and the fifth can be used to strike the hour. On 8 rod Westminster chime sets, the remaining four are often struck as two pairs on the hour.

Some clocks use six or eight rods to play more complex tunes, and these need to be made from loose un-tuned gong rods.

Sequence of notes for WESTMINSTER CHIMES
1/4: g,f,e,b.
1/2: e,g,f,b, e,f,g,e.
3/4: g,e,f,b, b,f,g,e, g,f,e,b.
4/4: e,g,f,b, e,f,g,e, g,e,f,b, b,f,g,e.

 

Typical sequences for 3 chimes on a set of up to 8 rods.

4 rods:        
1/4: E,D,C,G      
1/2: C,E,D,G CDEC    
3/4: E,C,D,G G,D,E,C E,D,C,G  
4/4: C,E,D,G C,D,E,C E,C,G,D G,D,E,C
 
6 Rods:        
1/4: E,C,A,G,D,B      
1/2: G,A,C,E,D,B E,C,A,D,B,G    
3/4: A,C,E,D,G,B E,A,C,B,D,G E,C,A,G,D,B  
4/4: G,A,C,E,D,B E,C,A,D,B,G A,C,E,D,B,G E,A,C,B,D,G
 
8 Rods:        
1/4: Gt,F#,E,D,C,B,A,G      
1/2: Gt,F#,E,A,B,C,D,G Gt,E,C,A,F#,D,B,G    
3/4: A,C,E,Gt,F#,D,B,G F#,Gt,B,E,C,A,D,G Gt,F#,E,D,C,B,A,G  
4/4: Gt,F#,E,A,B,C,D,G Gt,E,C,A,F#,D,B,G A,C,E,Gt,F#,D,B,G F#,Gt,B,E,C,A,D,G

Hour chimes are B & G. Gt = top G, G = bottom G


Typical gong sequences
Typical gong sequences and notes 



This document is © copyright M&P 2005
© Copyright Meadows & Passmore Ltd and Mervyn Passmore 2005
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